How did Sylvia La Torre die? Legendary Philippine singer and television actress cause of death explained

What has been going on with Sylvia La Torre? Philippines’ MANILA-The “Sovereign of Kundiman” and famous artist Sylvia La Torre died at 89 years old. Her granddaughter, the entertainer Anna Maria Perez de Tagle, reported her passing on Friday, December 2.

As indicated by Anna, Sylvia died on December 1 at 7:02 a.m. before her kid spouse Celso Perez de Tagle, and their three youngsters, Artie, Bernie, and Cheche.

Sylvia La Torre reason for death La Torre was the principal ability to partake in an effective profession in all significant diversion fields in the Philippines. Sylvia La Torre, 89, the Philippines’ Most memorable Woman of TV, died today, Dec. 1, her Granddaughter informed in an Instagram post the explanation peruses,

Who is Sylvia La Torre? The Sovereign of Kundiman and The Primary Woman of Philippine TV, Sylvia La Torre was a Filipino vocalist, entertainer, and radio character who lived from June 4, 1933, to December 1, 2022. La Torre is the little girl of chief Olive La Torre and Filipino craftsman Leonora Reyes. She is the mother of the on-screen couple Bernie Pérez and Cheche. She was an early vocal mentor for entertainers Sarita Pérez de Tagle and Anna Maria Perez de Tagle and is the fatherly grandma of the two of them. She has a degree in music with a significant in voice and a minor in piano from the College of Santo Tomas Studio of Music. She is a coloratura soprano. At the point when she participated in a singing challenge in Manila in 1938 at five years old, she began singing.

Additionally, she started her venue profession during The Second Great War. She started performing at the Manila Great Show House in 1948. “Si Dainty Mon Love,” her presentation tune, showed up on the Bataan Records name in 1950. Afterward, she migrated to Villar Records. During the 1950s and 1960s, she was alluded to as “The Sovereign of Kundiman”.

She moved to Sampaguita Pictures, the organization where her dad functioned as a chief, and began making films in 1941 (Ang Maestra). She was a Los Angeles occupant. Sylvia La Torre: 2017 Greatness in Music Grant Sylvia participated in a singing challenge in 1938 when she was only five years of age, and she came in first. Sylvia made her stage debut at nine years old, showing up in vaudeville exhibitions not once, not two times, but rather three times each day at the Manila Fabulous Drama House.

Shut your eyes and imagine Sylvia playing close by other prestigious artists like Bayani Casimiro and Katy de la Cruz. During the 1950s, Sylvia, an understudy at the College of Santo Tomas Studio of Music, first showed up on collections.

North of 300 melodies, including “Sa Kabukiran” and “Waray,” were recorded by her. And that’s just the beginning, to give some examples: wonderful kundiman like “Bituing Marikit,” “Mutya ng Pasig,” and “Nasaan Ka, Irog.”

Sylvia effectively entered the radio and media businesses during the 1950s and 1960s, finishing her authority over each of the five types of diversion in Manila. In the television program “Oras ng Ligaya,” we loved her. She was named the Principal Woman of Philippine TV because of her predominance on TV. The news that Sylvia had been intrigued when she went to a FASO show interestingly, led by our maestro Robert, or Sway, Shroder, caused us at FASO to feel respected. At the point when Sylvia assented to perform with FASO interestingly, we turned out to be considerably more energetic. Sylvia shook the house and got a thunderous applause during that show in August of the year before. The chance to perform with Sylvia’s great granddaughter, Anna Maria Perez de Tagle, made her exceptionally blissful and pleased.

Sylvia will remember a critical accomplishment one year from now. She will remember her remarkable 80th year in media outlets. Companions, that is Eight-Zero!

A companion of mine recommended that Sylvia be assigned a Public Craftsman of the Philippines when FASO declared that she will be one of our two Greatness in Music Awardees. That affirmation is very much past due.

Yet, as I would see it, Sylvia is as of now an irreplaceable asset and a piece of our brains and hearts. Ladies and courteous fellows, permit me to present Sylvia La Torre, the beneficiary of our Greatness in Music Grant.